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The Blue Book of Grammar and Punctuation

Search results for “clause”

Composing Comparisons

Comparisons in language help us communicate imagery, opinions, proportions, and degrees of condition, excellence, or deficiency. They serve communication as versatile, colorful tools as long as they are clear and complete. If they are not clear or complete, they can quickly fog another's view of our thoughts. Such ambiguity will often result from an omission …

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Composing with Conjunctive Adverbs

Many of us probably use conjunctive adverbs without being aware we’re doing so. Further understanding their role aids our precision with their inclusion in our writing. Conjunctive adverbs are adverbs that connect related main (independent) clauses. They provide a transition between sentences, typically by comparing and contrasting statements or demonstrating cause and effect. They include …

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Picking Proper Pronouns: Part II

Last week we began our review of using pronouns that help guide rather than trip our written eloquence. We started with pronouns as clause subjects, for objects, before assertive or attributive expressions, and after than or as.  Today we’ll look at pronouns before a gerund, for an infinitive, and for complements of forms of the …

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Picking Proper Pronouns: Part I

Many of us have been there before: We're writing or speaking with confidence in our content. For a secret second, we might even feel, well, educated. Then, unbeknownst to us, improper pronouns leak in and sabotage the impression we were making. Worse yet, we may not know how or why our eloquence tripped. Using the …

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Securing the Subject of Subjects

Last week we discussed how predicates form half of a clause. This week we’ll look closer at the other half, subjects. If the predicate is the engine of the action we communicate, the subject is the body of the vehicle being driven by it, including parts and accessories. The subject includes at least one noun (or noun …

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Predicating Our Knowledge of Predicates

A thorough review of English structure includes understanding subjects and predicates in broader terms. While the concepts of subjects and predicates in their totality may not be as commonly taught as they once were, a brief study will both reinforce our facility as writers and grammarians and further acquaint us with grammatical terminology. Today, we’ll focus on the predicate, the engine of the …

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Forging Sentence Ties That Bind

Strong writing—writing that moves, directs, and connects people—conveys thoughts and ideas with clarity and efficiency. Badly placed words create vagueness and confusion; well-placed ones achieve logic and unity. Careful writers join elements that are related in thought and separate those that are not. Consider the following sentence: He noticed a glass on the table that …

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Becoming Savvy with Sentence Structures: Part Three

Sentence structures are the beams of the building of composition. The stronger and better formed they are, the firmer our communication foundation will be. Part One of our discussion introduced us to simple and compound sentences. In Part Two, we explored complex and compound-complex sentences. Let's take a brief look at all four as a …

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Becoming Savvy with Sentence Structures: Part Two

Understanding sentence structures helps us shape the art of good writing. In Part One of our discussion, we identified the four foundational sentence constructions and reviewed the first two, simple and compound sentences. We'll next look at complex and compound-complex sentences. Complex Sentence A complex sentence has one independent main clause and at least one dependent clause, …

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Becoming Savvy with Sentence Structures: Part One

The art of writing resembles any trade that begins with the basics and evolves into skillful applications of them. A key component of precise and eloquent composition is understanding sentence structures. English comprises four foundational sentence constructions: simple, compound, complex, and compound-complex. In part one of our discussion, we'll review simple and compound sentences. Simple …

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